Archive for the ‘ New Album ’ Category

THE SPIDER HOLE Reveal Debut Single Off of Upcoming ‘To the Monsters’!

ToTheMonsters Album Cover

 

Phoenix, AZ based, Dark Alternative Rock Band THE SPIDER HOLE has announced the launch of a Kickstarter Campaign to help support their upcoming LP and associated graphic novel, To The Monsters. The unique project is built around the LP with 11 original songs, each about a different monster, as well as a 100 page horror anthology graphic novel written and illustrated by vocalist Ethan Scott; each story in the novel is about a different band member over the course of one fateful Halloween night.

To celebrate the upcoming launch, the quartet has revealed their first single, “The Skeleton Wedding,” from the album

Player

“We were at The Quarry in Bisbee grubbing and waiting to go on stage when Ethan asks everyone in the band what their greatest fear is. He wants to do a horror anthology comic to put out with the new album. Before we were even called to the stage, all four stories were basically written.” – The Spider Hole

ToTheMonsters Comic

Two versions of the graphic novel will be offered through the Kickstarter, the standard softcover edition, and a DELUXE hardcover edition, which includes 4 additional stories. The hardcover edition is only available to Kickstarter backers.

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Click HERE for Updates!

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A quartet with frequent guest musicians, The Spider Hole performs songs meant to stir brains and rattle bones. Based in sun-scorched Phoenix, AZ, the band started banging sounds together in the late nineties, and has steadily developed an aural stew that is partly rock, partly cabaret, partly blues, and partly goth. Influences include Tom Waits, Oingo Boingo, Siouxsie and the Banshees, Primus, The Pixies, Frank Zappa, The Doors, and your face when you taste something unexpected. New music is being prepped for a new full-length album called To the Monsters, due near the end of 2018.

TheSpiderHole Mount Monstermore

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Experimental Carnatic Musician KAPIL SESHASAYEE Releases Debut Album “A Sacred Bore” & Announces UK + Canadian Tour

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Glaswegian art rock prodigy Kapil Seshasayee has released the debut LP “A Sacred Bore” through Liverpool based label Loner Noise. The concept album, upbraiding the caste system in India, is out digitally and on CD format on 14th September 2018. The deluxe 12″ vinyl version will see its worldwide release on 14th December, 2018.

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“Through noisy clips and dipping in and out of traditional rock and drum machine-aided rawness, A Sacred Bore is tied together by Seshasayee’s wistful, anguished voice.”, notes Rolling Stone India with an advance streaming of “A Sacred Bore” in its full.

“A Sacred Bore is my debut LP and an exploration of caste-based oppression in its many guises, both native and in diaspora. Through a distillation of Carnatic musical heritage, serrated guitar architecture and textural electronic flourishes inspired by the likes of FKA Twigs, I tackle topics such as the alliance of Hindu Nationalism with the alt-right, honour killings and mis-appropriation of activist writings by upper-caste Hindus.”

– Kapil Seshasayee

Download / Stream “A Sacred Bore”

Spotify | iTunes | Deezer | Bandcamp

Order “A Sacred Bore” CD/Vinyl

 

Kapil Seshasayee is a polymath, and a true original talent, both as a songwriter and as a soundsmith, a one-man combination of Scott Walker, Mark Hollis, Arca and Richard Dawson, creating something wholly unique. Combining Big Black style drum machine beats with Carnatic guitar ornamentations, stunning vocals and a penchant for unorthodox instrumentation such as the aquaphone, Kapil manages to be truly experimental yet still accessible.

A Sacred Bore — a concept album based around India’s caste system — is a piercing examination of the abusive treatment towards lower caste Indians aiming to raise awareness of countless barbaric practices still prevalent among South Asian communities both in India and in diaspora. Having already been featured in noted publications The Quietus & The Guardian, Kapil was recently on air with Bobby Friction on the BBC Asian Network, as a featured BBC Introducing Artist. Building upon the narrative of prior singles The Agitprop, A Sacred Bore, & Caustic Wit, Kapil expands on the issues, from the often-overlooked connections between the American far-right and upper-caste Indians to honour killings committed in diaspora which continue to be under-reported.

Kapil A Sacred Bore Album Cover Front

A tour is underway in different cities across the UK and Germany to support this album. The ongoing tour will reach Canadian territory in November, 2018

UPCOMING TOUR DATES

UK:

09/08 @ Vulture Lounge – Aberdeen, UK

09/14 @ Drop The Dumbulls Gallery – Liverpool, UK

09/15 @ Fuel Cafe – Manchester, UK

09/16 @ Sticky Mike’s Frog Bar – Brighton, UK

09/17 @ The Old England – Bristol, UK

09/18 @ St James Wine Vaults – Bath, UK

09/19 @ Chunk – Leeds, UK

09/20 @ 1 In 12 Club – Bradford, UK

10/19 @ Cumberland Arms – Newcastle, UK

12/14 @ Leith Depot – Edinburgh, UK

12/15 @ Hug & Pint – Glasgow, UK

GERMANY:

09/10 @ Geyger Art Gallery – Berlin, DE

09/11 @ Ostxxx – Leipzig, DE

CANADA:

11/04 @ Baby G – Toronto, CA (19+)

11/05 @ The Casbah – Hamilton, CA

11/06 @ The Rec Room – London, CA

11/07 @ Warehouse – St Catherine’s, CA

11/09 @ Black Squirrel – Ottawa, CA

11/10 @ TBA – Montreal, CA

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Kapil has performed across the UK alongside a raft of great and innovative acts such as Raghu Dixit, Damo Suzuki, Victor Villarreal & Future of the Left in addition to festival appearances at this year’s Wrong Festival, Decolonise Fest & Glasgow Mela. He has developed a reputation as an engrossing and engaging live performer, producing his stunning arrangements alone with a variety of instruments and tools at his disposal.

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TRASH DEITY Release Highly Anticipated, Debut LP, ‘Cross & Divide”!

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Industrial Rock project TRASH DEITY, the duo of Groovie Mann (My Life With The Thrill Kill Kult) and John D. Norten (Blue Eyed Christ), has released their debut LP, Cross & Divide via Metropolis Records. Drawn from the duo’s Chicago Wax Trax! history, the 10 track album pays homage to the classic Industrial roots with a modern, sophisticated production.

“a true electro-rock masterpiece…This is hands down the best electronic rock album that I’ve heard all year long!” – XSRock

Album Player

Click HERE to Download “Cross & Divide” FREE!

 

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Track List:
1. Cross & Divide
2. Run 4 Your Lies!
3. Fame Games
4. Frantic Child
5. A Perfect One
6. Hardrive
7. Finger On A Trigger
8. Emotions Matter
9. Icons & Idols
10. Finger On A Trigger (JDN Remix)

Click HERE to Download Digital Copy of ‘Cross & Divide’ Online

Click HERE To Order ‘Cross & Divide’ CD via Metropolis Records

Advance Praise for Cross & Divide

“While it may be hard to separate the Wax Trax! origins of Trash Deity’s members, you don’t have to be a dyed-in-the-wool aficionado to get your ass shaking to this album. Rather songs from this album should fit comfortably alongside contemporary dance floor numbers. That’s all to say rivetheads will love it, but even genre outsiders will find an appreciation for Cross and Divide.” – The Void Report

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Coming from Los Angeles with roots in the legendary Chicago Wax Trax! scene is the new duo Trash Deity. Combining the chaos and energy of the classic Wax Trax! sound updated with hard and modern production, Trash Deity is Groovie Mann aka Franke N. Nardiello (My Life With The Thrill Kill Kult and accomplished music producer and Industrial artist John D. Norten (Blue Eyed Christ). The debut Single, “Finger on a Trigger”, combined classic Groovie Mann vocals and cryptic lyrics with an infectious heavy electronic/guitar groove benefitting from Norten’s studio experience with major artists. The accompanying unique Music Video was comprised entirely of manipulated shots of paintings from the twisted imagination and eccentric mind of Groovie Mann. The second single and video, “Run 4 Your Lies!” was released in 2017 solidifying Trash Deity and catching the attention of Metropolis Records

2018 marks the anticipated release of the debut album, Cross & Divide, on Metropolis Records.

Cross & Divide Album is an album for now and is a representation of the confrontational and divisive times we live in. It’s a journey into the manic world of Trash Deity from the opening invitation of “Let’s run away” to the powerful closing Album statement “Change”. Each song has its own identity, but the album was designed to be a trip on a journey. It sounds totally cohesive and totally chaotic at the same time…just like us!” – JDN

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What was the earliest influence in your life that led you to a music career?

the vibrations from my mother’s record player that she kept under my crib. She was 19. – Groovie Mann

Nardiello’s informally structured and yet deeply storied career began with his first band, Special Affect, including Marti Sorenson & Harry Rushakoff (Concrete Blonde) with Al Jourgensen (Ministry) on guitar. Shortly after, he moved to London working with Simon Raymonde of Cocteau Twins with post-punk band Drowning Craze, recording a John Peel session in 1982. While touring with Ministry in 1986, he met and began working with Buzz McCoy (Marston Daley) to write a film titled Hammerhead Housewife and the Thrill Kill Kult, which was never filmed but ultimately evolved into TKK and an EP released with Wax Trax! Records. Over the next nearly 30 years, Groovie Mann has established his iconic reputation with TKK and contributed songs to several movie soundtracks, even appearing in the 1994 cult classic film The Crow. He’s also established himself as an accomplished painter in the LA art community. His uniquely abstract style offers a further peak into the mind and art of Groovie Mann and are sold to fans around the world.

What would you consider to be the ‘crossroads’ that directly led to you actively pursuing a musical career?

My Insanity. – Groovie Mann

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I would say my first Blue Eyed Christ record deal with KK Records in Belgium right out of High School for Leaders + Followers. It legitimized what I was doing for the first time and made me realize people outside of my bedroom studio may be interested in what I was doing.
JDN

John D. Norten also emerged from the 1990s Chicago Industrial scene as the leader of Blue Eyed Christ. The debut album, Leaders + Followers, was released internationally on Belgians classic EBM/Industrial label KK Records while still in his teens. Over the next few years, Blue Eyed Christ was featured on several prominent compilations and played the New Music Seminar in 1992 at the Limelight with Clock DVA and Chemlab. Blue Eyed Christ continued playing visceral live shows throughout the 90s and Norten continued recording at Chicago Trax Recording Studios working with established musicians and engineers from Ministry, Nine Inch Nails, and more. In 1996, Norten relocated to Los Angeles and has established himself as an in demand mixer and engineer for many of the biggest artists in the world including The Black Eyed Peas, Prince, CeeLo Green, and Lady GaGa.

How are you inspired to start a song and how does that develop from writing to composition, recording, and completion? What was the process for this project?

Jump into it -improvise with & without notes, laugh & cry & argue with the producer. – Groovie Mann

I usually start with the drums and music, but really anything can be the creative spark. When I first met with Groovie Mann he came over and I played him a bunch of instrumental tracks I had and he choose the ones that inspired him the most lyrically. He would write to them while he paints at home and then come over with notebooks full of ideas and inspirational goodies. Once we wrote the lyrics and recorded his vocals, I’d go back in and add more music and elements and we’d arrange that into the songs. The whole process was very organic. – JDN

Cross & Divide ultimately reflects both their shared roots as well as their unique and individual approaches to songwriting and recording. Groovie Mann’s spontaneous and poetic lyrical reactions to Norten’s carefully constructed song productions makes for a compelling mix of something new with enough of a nod to the past sure to please the old school fans and the newly initiated.

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TRASH DEITY Release Free Download of Title Track Ahead of Upcoming ‘Cross & Divide’ LP

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Industrial Rock project TRASH DEITY, the duo of Groovie Mann (My Life With The Thrill Kill Kult) and John D. Norten (Blue Eyed Christ), release the title track for their highly anticipated debut album, Cross & Divide. “Cross & Divide” is a heavy, modern Industrial march of chaos about the divisive times we live in, compete with a driving beat, big riffs, and the distinctive vocal stylings of Groovie Mann.

Player

“‘Cross and Divide’ is heavy, with a mix of groove and pace, that carries it well as the introduction into the album.” – The Median Man Blog

 

Click HERE to Download “Cross & Divide” FREE!

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Track List:
1. Cross & Divide
2. Run 4 Your Lies!
3. Fame Games
4. Frantic Child
5. A Perfect One
6. Hardrive
7. Finger On A Trigger
8. Emotions Matter
9. Icons & Idols
10. Finger On A Trigger (JDN Remix)

Click HERE to Pre-Order Digital Copy of ‘Cross & Divide’ Online

 

Click HERE To Pre-Order ‘Cross & Divide’ CD via Metropolis Records

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Coming from Los Angeles with roots in the legendary Chicago Wax Trax! scene is the new duo Trash Deity. Combining the chaos and energy of the classic Wax Trax! sound updated with hard and modern production, Trash Deity is Groovie Mann aka Franke N. Nardiello (My Life With The Thrill Kill Kult and accomplished music producer and Industrial artist John D. Norten (Blue Eyed Christ). The debut Single, “Finger on a Trigger”, combined classic Groovie Mann vocals and cryptic lyrics with an infectious heavy electronic/guitar groove benefitting from Norten’s studio experience with major artists. The accompanying unique Music Video was comprised entirely of manipulated shots of paintings from the twisted imagination and eccentric mind of Groovie Mann. The second single and video, “Run 4 Your Lies!” was released in 2017 solidifying Trash Deity and catching the attention of Metropolis Records

2018 marks the anticipated release of the debut album, Cross & Divide, on Metropolis Records.

Cross & Divide Album is an album for now and is a representation of the confrontational and divisive times we live in. It’s a journey into the manic world of Trash Deity from the opening invitation of “Let’s run away” to the powerful closing Album statement “Change”. Each song has its own identity, but the album was designed to be a trip on a journey. It sounds totally cohesive and totally chaotic at the same time…just like us!” – JDN

9D6A1154

What was the earliest influence in your life that led you to a music career?

the vibrations from my mother’s record player that she kept under my crib. She was 19. – Groovie Mann

Nardiello’s informally structured and yet deeply storied career began with his first band, Special Affect, including Marti Sorenson & Harry Rushakoff (Concrete Blonde) with Al Jourgensen (Ministry) on guitar. Shortly after, he moved to London working with Simon Raymonde of Cocteau Twins with post-punk band Drowning Craze, recording a John Peel session in 1982. While touring with Ministry in 1986, he met and began working with Buzz McCoy (Marston Daley) to write a film titled Hammerhead Housewife and the Thrill Kill Kult, which was never filmed but ultimately evolved into TKK and an EP released with Wax Trax! Records. Over the next nearly 30 years, Groovie Mann has established his iconic reputation with TKK and contributed songs to several movie soundtracks, even appearing in the 1994 cult classic film The Crow. He’s also established himself as an accomplished painter in the LA art community. His uniquely abstract style offers a further peak into the mind and art of Groovie Mann and are sold to fans around the world.

What would you consider to be the ‘crossroads’ that directly led to you actively pursuing a musical career?

My Insanity. – Groovie Mann

9D6A0866v2

I would say my first Blue Eyed Christ record deal with KK Records in Belgium right out of High School for Leaders + Followers. It legitimized what I was doing for the first time and made me realize people outside of my bedroom studio may be interested in what I was doing.
JDN

John D. Norten also emerged from the 1990s Chicago Industrial scene as the leader of Blue Eyed Christ. The debut album, Leaders + Followers, was released internationally on Belgians classic EBM/Industrial label KK Records while still in his teens. Over the next few years, Blue Eyed Christ was featured on several prominent compilations and played the New Music Seminar in 1992 at the Limelight with Clock DVA and Chemlab. Blue Eyed Christ continued playing visceral live shows throughout the 90s and Norten continued recording at Chicago Trax Recording Studios working with established musicians and engineers from Ministry, Nine Inch Nails, and more. In 1996, Norten relocated to Los Angeles and has established himself as an in demand mixer and engineer for many of the biggest artists in the world including The Black Eyed Peas, Prince, CeeLo Green, and Lady GaGa.

How are you inspired to start a song and how does that develop from writing to composition, recording, and completion? What was the process for this project?

Jump into it -improvise with & without notes, laugh & cry & argue with the producer. – Groovie Mann

I usually start with the drums and music, but really anything can be the creative spark. When I first met with Groovie Mann he came over and I played him a bunch of instrumental tracks I had and he choose the ones that inspired him the most lyrically. He would write to them while he paints at home and then come over with notebooks full of ideas and inspirational goodies. Once we wrote the lyrics and recorded his vocals, I’d go back in and add more music and elements and we’d arrange that into the songs. The whole process was very organic. – JDN

Cross & Divide ultimately reflects both their shared roots as well as their unique and individual approaches to songwriting and recording. Groovie Mann’s spontaneous and poetic lyrical reactions to Norten’s carefully constructed song productions makes for a compelling mix of something new with enough of a nod to the past sure to please the old school fans and the newly initiated.

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NIGHT CLUB Releases Highly Anticipated Sophomore Album, ‘Scary World’

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Following their extremely successful US and European tour run with COMBICHRIST and WEDNESDAY 13, Los Angeles based electronic duo NIGHT CLUB has released their hotly anticipated second full length album, Scary World.

Candy Coated Suicide

 

“Equal parts cute, creepy, and catchy – ‘Candy Coated Suicide’ by Night Club is a mesmerizing work of art. With a heavy but bouncing beat, playful synths, and a hypnotizing vocal performance, Night Club’s new song is as fun as it is habit forming. Candy Coated Suicide plays like a love letter from Harley Quinn: Cute, bubbly, and earnest – but ultimately deadly and a little deranged; in the most beautiful way possible.” – Stereo Stickman

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Track List:
1. Beware!
2. Scary World
3. Schizophrenic
4. Your Addiction
5. Blood on Your Blade
6. Candy Coated Suicide
7. Therapy (Get High)
8. Imaginary Friend
9. Vampires
10.Survive

Click HERE to Download ‘Scary World’ on iTunes!

Advance Praise for Scary World

“This might be one of the most radio friendly synth pop acts in recent history. There is nothing gritty, occult or dark about Night Club. With their sound firmly rooted in the electronic eighties, Night Club revives a style in a highly convincing way. This is actually suited for large audiences, for pop festivals and for goth clubs alike. This stuff put a smile on my face and I’m sure it is potent enough to do that with audiences everywhere. So yeah, I will recommend this album to all you eighties-freaks out there. You know who you are…” – Merchants Of Air

“I already told you, I simply love this album. Compared to their first record, the band’s artistical path is much clearer without losing variety. Night Club has an unmistakable style which they continually evolve. If that’s your cup of tea, you’re absolutely right here at the Mad Hatters Tea Time! And now: run for Scary World!” – Electrozombies

“Night Club’s production value is incredibly professional, masterfully compressed drums and seamlessly arpeggiated basslines building a strong and driving foundation for the music. Emphasizing electro synth wails and sirens accentuate energy and drive when necessary, but are used sparingly enough that they deliver a strong enough punch each time that it never gets old. Their vocalist’s gentle and almost tantalizing voice offers a beautiful contrast to the instrumentals, offering chiming innocence during moments of tension, and an extra dose of adrenaline when the synths take a back seat.” – Horror Addicts

“And what’s the conclusion? ‘Requiem for Romance’ was good, ‘Scary World’ is scarier and better. Way to go Mr Brooks, and welcome back Miss Kavanaugh. Again, you haven’t disappointed.” – Electricity Club

“This record is definitely going to be put on repeat by me when it’s released on Friday. Dark, brutal and hard to forget, Night Club live with this record are going to be amazing – I would want this band opening my tour too. Highlights for me on this album include, ‘Scary World’, ‘Blood On Your Blade’ and ‘Vampires’ which is a treat near the end of the album and an easy favourite for me.” – Thinking Lyrically

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LIFECURSE Releases Official Music Video for “BUZZARD BAIT”

Asheville, NC Metal band LIFECURSE has released the official music video for “BUZZARD BAIT,” off of their forthcoming album, The Wolf You Feed. Produced by Jamie KIng (Between the Buried and MeFor TodayThe ContortionistScale the Summit), The Wolf You Feed is set to release mid-2018.

“‘Buzzard Bait’ is the first song we have released since 2013’s ‘Elysium.’ The song touches on themes and topics such as society’s inherent desire to watch people fail, to rubberneck through life and use other people’s failures and faults as a means to lift themselves higher, failing to realize that we are all one in the same. We are all born and we will all die, those are the only 2 things you are guaranteed in life. The rest is up to you to make make the world a better place, or completely destroy it. No one can make that choice.

Buzzard Bait is a song about the constant struggle between light and dark, and the incessant human need for validation from other humans.” – Lifecurse

Stream / Download “Buzzard Bait” Online:
iTunes | bandcamp | Big Cartel

Heavy music is like a shark–bloodthirsty, violent–but more importantly, driven by progression. The second bands stagnate and lose momentum, they sink to the murky depths of the listener’s mind, only to be rediscovered by whims of nostalgia years later. Fortunately for Asheville, North Carolina’s Lifecurse, stagnation is neither a word in their vocabulary or a concept they are familiar with. Originating in 2010, Lifecurse have practically defined the pinnacle of metalcore progression, expertly blending erratic, energetic heaviness with ethereality and riff-friendly technicality. What’s more? As times change and more and more bands are thinking out of the box, Lifecurse is far from afraid to delve into the darkest corners metal, hardcore and deathcore have to offer, never backing away from an opportunity to push the envelope further.

Since their formation in early 2010, Lifecurse have left no stone unturned. Independently releasing two full length studio albums and distributing thousands of copies to fans across the country, the band’s work ethic is admirable to say the least; providing full musical experiences where their peers are satisfied with brief EPs and single releases. Their devotion to their fans and fellow heavy music enthusiasts is also displayed by their incessant tour schedule. Planning and executing many of their own small excursions throughout 2012 and 2013 to support their sophomore release, Elysium, the band got their first big break as direct support for the legendary Norma Jean on their nationwide tour in 2014. Lifecurse’s impressive resume doesn’t end there–the band have acted as regional support for such genre-defining giants as The Ghost InsideThe Acacia StrainAll that Remains, and Battlecross, among several others. Since then, Lifecurse have receded from the public eye, planning tours and festivals, as well as writing and recording their third LP, The Wolf You Feed, an immense concept album spanning two discs. Adding a thick layer of icing to their already impressive cake of two full-length releases, The Wolf You Feed is sure to be the latest and greatest product from a band that has never slowed down in their constant push to deliver fresh and furious music to their fans.

Between touring the country, writing and recording immense, diverse and dynamic hit albums and playing countless local benefit shows for charities and charitable causes, Lifecurse are the “do or die” mentality come to life. The Wolf You Feed set for a Spring 2017 release, and tours to support it, it’s only a matter of time before this North Carolinian quintet devours your local scene.

Connect with Lifecurse:
Lifecurse Official
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TOARN Release Official Music Video for “Jonah;” REDEMPTION TOUR Dates with DEATHBREAKER Announced

Christian Metal Band TOARN has released the official music video for the single, “Jonah,” off of their upcoming debut LP, The Dying Flame, due out February 23 via Luxor Records. Filmed and Directed by Jericho Media, “Jonah” was originally premiered on HM Magazine.

Click HERE to pre-order The Dying Flame!

“The song ‘Jonah’ is about my personal struggle with growing up. From my impressions of money to how I see myself as a man who genuinely feels lost. I think there is a truth in admitting that feeling of being lost. So I decided to write about that struggle.” – Mike Roberts (vocals)

REDEMPTION TOUR DATES:
02/01 @ Le Voyeur – Olympia, WA
02/02 @ Shotskis – Salem, OR
02/03 @ Bamboo Room – Medford, OR
02/04 @ Brew Coffeehouse – Redding, CA
02/05 @ Barmaggedon – Tulare, CA
02/06 @ The Gutter – Reno, NV
02/07 @ Beehive – Salt Lake City, UT
02/08 @ The Church – Twin Falls, ID
02/09 @ Rose House – Nampa, ID
02/10 @ House Show – Yakima, WA
02/11 @ Tony V’s – Everett, WA

With members from all over the western hemisphere all crossing paths at the right moments, there was no mistake that TOARN was meant for great things. Justin Wanless (Guitar) and Michael Roberts (Lead Vocals) often spoke of similar taste in heavy music, but they decided to set out and create their own noise for the world to hear. Taylor Cort (Drummer), Kyle Nortan (Guitar) and James Kolstedt (Bass Guitar) completed the lineup.

With influences of post-hardcore and metalcore, TOARN began writing their fast-paced chaotic riffs that early fans started to take notice. As time went on, influences evolved as did the band. Though holding onto the many past influences, TOARN has taken notes from the eerie, doomy, slam music alongside technical riffs and ambient overlays with the end goal being a communication of deep feelings of darkness, despair, depression and in the end a way out towards salvation.

Make no mistake, TOARN band is here on business. They believe in what they do and continually push the boundaries! They say that the fans are
what fuels this relentless drive and ferocity! The band consists of seasoned musicians with the kind of die-hard work ethic that has gained them the reputation of a must-see live act! The band has both shared the stage with touring nationals and has toured the country extensively as well. Catch Toarn live and discover what the others already know!

Connect with TOARN:
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