Posts Tagged ‘ title track ’

TRASH DEITY Release Free Download of Title Track Ahead of Upcoming ‘Cross & Divide’ LP

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Industrial Rock project TRASH DEITY, the duo of Groovie Mann (My Life With The Thrill Kill Kult) and John D. Norten (Blue Eyed Christ), release the title track for their highly anticipated debut album, Cross & Divide. “Cross & Divide” is a heavy, modern Industrial march of chaos about the divisive times we live in, compete with a driving beat, big riffs, and the distinctive vocal stylings of Groovie Mann.

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“‘Cross and Divide’ is heavy, with a mix of groove and pace, that carries it well as the introduction into the album.” – The Median Man Blog

 

Click HERE to Download “Cross & Divide” FREE!

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Track List:
1. Cross & Divide
2. Run 4 Your Lies!
3. Fame Games
4. Frantic Child
5. A Perfect One
6. Hardrive
7. Finger On A Trigger
8. Emotions Matter
9. Icons & Idols
10. Finger On A Trigger (JDN Remix)

Click HERE to Pre-Order Digital Copy of ‘Cross & Divide’ Online

 

Click HERE To Pre-Order ‘Cross & Divide’ CD via Metropolis Records

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Coming from Los Angeles with roots in the legendary Chicago Wax Trax! scene is the new duo Trash Deity. Combining the chaos and energy of the classic Wax Trax! sound updated with hard and modern production, Trash Deity is Groovie Mann aka Franke N. Nardiello (My Life With The Thrill Kill Kult and accomplished music producer and Industrial artist John D. Norten (Blue Eyed Christ). The debut Single, “Finger on a Trigger”, combined classic Groovie Mann vocals and cryptic lyrics with an infectious heavy electronic/guitar groove benefitting from Norten’s studio experience with major artists. The accompanying unique Music Video was comprised entirely of manipulated shots of paintings from the twisted imagination and eccentric mind of Groovie Mann. The second single and video, “Run 4 Your Lies!” was released in 2017 solidifying Trash Deity and catching the attention of Metropolis Records

2018 marks the anticipated release of the debut album, Cross & Divide, on Metropolis Records.

Cross & Divide Album is an album for now and is a representation of the confrontational and divisive times we live in. It’s a journey into the manic world of Trash Deity from the opening invitation of “Let’s run away” to the powerful closing Album statement “Change”. Each song has its own identity, but the album was designed to be a trip on a journey. It sounds totally cohesive and totally chaotic at the same time…just like us!” – JDN

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What was the earliest influence in your life that led you to a music career?

the vibrations from my mother’s record player that she kept under my crib. She was 19. – Groovie Mann

Nardiello’s informally structured and yet deeply storied career began with his first band, Special Affect, including Marti Sorenson & Harry Rushakoff (Concrete Blonde) with Al Jourgensen (Ministry) on guitar. Shortly after, he moved to London working with Simon Raymonde of Cocteau Twins with post-punk band Drowning Craze, recording a John Peel session in 1982. While touring with Ministry in 1986, he met and began working with Buzz McCoy (Marston Daley) to write a film titled Hammerhead Housewife and the Thrill Kill Kult, which was never filmed but ultimately evolved into TKK and an EP released with Wax Trax! Records. Over the next nearly 30 years, Groovie Mann has established his iconic reputation with TKK and contributed songs to several movie soundtracks, even appearing in the 1994 cult classic film The Crow. He’s also established himself as an accomplished painter in the LA art community. His uniquely abstract style offers a further peak into the mind and art of Groovie Mann and are sold to fans around the world.

What would you consider to be the ‘crossroads’ that directly led to you actively pursuing a musical career?

My Insanity. – Groovie Mann

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I would say my first Blue Eyed Christ record deal with KK Records in Belgium right out of High School for Leaders + Followers. It legitimized what I was doing for the first time and made me realize people outside of my bedroom studio may be interested in what I was doing.
JDN

John D. Norten also emerged from the 1990s Chicago Industrial scene as the leader of Blue Eyed Christ. The debut album, Leaders + Followers, was released internationally on Belgians classic EBM/Industrial label KK Records while still in his teens. Over the next few years, Blue Eyed Christ was featured on several prominent compilations and played the New Music Seminar in 1992 at the Limelight with Clock DVA and Chemlab. Blue Eyed Christ continued playing visceral live shows throughout the 90s and Norten continued recording at Chicago Trax Recording Studios working with established musicians and engineers from Ministry, Nine Inch Nails, and more. In 1996, Norten relocated to Los Angeles and has established himself as an in demand mixer and engineer for many of the biggest artists in the world including The Black Eyed Peas, Prince, CeeLo Green, and Lady GaGa.

How are you inspired to start a song and how does that develop from writing to composition, recording, and completion? What was the process for this project?

Jump into it -improvise with & without notes, laugh & cry & argue with the producer. – Groovie Mann

I usually start with the drums and music, but really anything can be the creative spark. When I first met with Groovie Mann he came over and I played him a bunch of instrumental tracks I had and he choose the ones that inspired him the most lyrically. He would write to them while he paints at home and then come over with notebooks full of ideas and inspirational goodies. Once we wrote the lyrics and recorded his vocals, I’d go back in and add more music and elements and we’d arrange that into the songs. The whole process was very organic. – JDN

Cross & Divide ultimately reflects both their shared roots as well as their unique and individual approaches to songwriting and recording. Groovie Mann’s spontaneous and poetic lyrical reactions to Norten’s carefully constructed song productions makes for a compelling mix of something new with enough of a nod to the past sure to please the old school fans and the newly initiated.

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BLACK HEART SAINTS Release Official Music Video for “Alive”

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Austin, TX based Rock Band BLACK HEART SAINTS has released the official music video for the title track off of their 2017 released LP, Alive, which features a live performance of the foursome live.

“This video was shot during our performance opening for Steel Panther in Austin, Texas. It captures some of the intimate moments that you normally don’t see: loading in, setting up, etc. – all of the hard work that it takes to bring about a killer rock show.” – Black Heart Saints

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The band just finished their most recent tour, The Road to Sturgis Tour 2018, where they performed at the 78th annual Sturgis Motorcycle Rally, as well as opened for Faster Pussycat on August 19th, and will be supporting Slash & Myles Kennedy Featuring the Conspirators on September 24th. Both shows are in Austin, TX.

Click HERE to Download “Alive” on iTunes HERE!

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Dangerous & dirty, with a distinct groove steeped in classic rock, yet with a modern edge, Black Heart Saints gives fans exactly what they want – rock god vocals catapulted over explosive, memorable riffs – leaving legions of the rock ‘n’ roll faithful yearning for more.

After debuting at SXSW in 2014, this powerhouse quartet has been building a solid reputation as a support act for national touring bands such as Slash featuring Myles Kennedy & The Conspirators, Sevendust, Pop Evil, Nonpoint, Coheed and Cambria, Filter, POD, The Toadies, and more.

The soaring vocals of front-man Josh Ross have drawn comparisons to Myles Kennedy and Chris Cornell. While the band is influenced by the likes of Mötley Crüe, Guns ‘N Roses, and other legendary Hard Rock acts, the commanding presence of Black Heart Saints’ live show brandishes an updated take on the genre.

Quickly conquering some of the biggest stages and festivals in the United States, Black Heart Saints has built an impressive resume, and has been recognized as one of the nation’s top emerging rock acts:

– Sturgis Motorcycle Rally Headliner
– Austin Chronicle Music Awards: Top 10 Best New Bands
– Austin Music Foundation Artist of the Month, 2017
– San Antonio’s Fiesta Oyster Bake Headliner
– SXSW Performer
– Buffalo Trace Battle of the Bands Grand Prize Winner
– ESPN X Games Austin Performer

In 2014, Black Heart Saints represented their hometown at the ESPN X Games in Austin. 2015 kicked off with key performances during South by Southwest Festival, Texas Rockfest, and Fiesta Oyster Bake in San Antonio. The band also went back to the studio to record a string of upcoming singles produced by Omar Vallejo at Austin’s renowned 512 Studios.

After debuting their first official music video for the hit single “Touch The Sky” on MTV, VEVO, and YouTube, Black Heart Saints is poised to launch a memorable international career with ambitions to dominate stages across the globe. Half-way through 2016, the band gained nationwide airplay on Sirius XM’s Octane and Faction channels.

In 2017, the band received two major accolades: Black Heart Saints was chosen as Austin Music Foundation’s Artist of the Month, and received a spot in the top 10 Best New Bands in Austin Chronicle’s Austin Music Awards for 2016-2017.

The band’s first full-length release – ALIVE – was soon followed by the Road to Sturgis Tour 2017, which put Black Heart Saints’ charismatic live performance to the test when the band took the stage at the world-renowned motorcycle rally, attended by over 500,000 bikers from all around the globe.

Foreshadowing a successful 2018, Black Heart Saints embarked on an extensive tour to the West Coast beginning in January, which included a highlight performance at the legendary Viper Room in West Hollywood, California. Throughout the summer, the band was tapped to support some of the biggest names in rock — both new and old, including Steel Panther, Dokken, Jackyl, as well as upcoming arena acts Blacktop Mojo and Joyous Wolf. After a successful onslaught of summer shows, Black Heart Saints will enter the studio this fall to record an upcoming record that is destined to be a chart-topper.

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